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Temps Perdu? - Athanor Album FLAC

  • Performer: Temps Perdu?
  • Album: Athanor
  • Label: Discordia
  • Catalog #: DISC 001 CD
  • MP3: 2999 mb | FLAC: 2905 mb
  • Released: 1993
  • Country: Germany
  • Style: Industrial, Ambient
  • Rating: 4.7/5
  • Votes: 200
  • Category: Electronic
Temps Perdu? - Athanor Album FLAC


5Cum Infamia2:33
9Fishing Circles3:36
10Aku Aku3:37
11Degree Absolute4:20
12Into The Wave4:38
13Missing Link4:39


CategoryArtistTitle (Format)LabelCategoryCountryYear
DISC 001Temps Perdu? Athanor ‎(Cass, Promo)DiscordiaDISC 001Germany1992


  • Artwork [Airbrush]Andreas Rauth
  • Design [Coverdesign]CUT UP, Temps Perdu?
  • Design [»Temps Perdu?« Relief]Bernd Brohammer
  • Mastered ByKonrad Kraft
  • Music By [All Tracks Written By], ProducerTemps Perdu?


Recorded between 1990-92 at P.S.Y. Studio Düsseldorf
Mixed at SDV-Studio Düsseldorf except the tracks 1 and 3-6 which are mixed at P.S.Y. Many thanks to Dino Oon & Konrad Kraft for mixing facilities, Alain Neffe and his father for the watchfaces [...]
This is the first CD of the »Timebase« Series.


  • Matrix / Runout: GZ DB2715 BKO 028
  • Rights Society: GEMA


  • Phonographic Copyright (p) – Discordia
  • Copyright (c) – Temps Perdu?
  • Recorded At – P.S.Y. Studio
  • Mixed At – SDV-Studio, Düsseldorf
  • Mixed At – P.S.Y. Studio
  • Glass Mastered At – Gramofonové Závody – DB2715
  • Distributed By – Discordia The Distributor – 1301



Athanor by Temps Perdu, released 01 January 1993 1. Scalaphony 2. Missing Link 3. Cum Infamia 4. Ayers 5. Abraxas 6. Stratophony 7. Into The Wave 8. Aku Aku 9. Cristal 10. Magisch 11. Degree Absolute 12. Gorgoneion 13. Fishing Circles 14. Last 'Athanor' is their electro tribal atmospheric debut release. The album is filled with elegant soundscapes and avante garde surrealism and juxtaposition. The journey is unmistakably arid and ambient. This CD is essential and one for the Desert Island. Jim Brenholts. 14 tracks 56:30. 레이블: Discordia DISC 001 CD. Last appropriately closes the album, again an atmospheric piece whose structure is built on a clicking drum pattern which builds up into a far more complex piece, around which rise & fall a variety of sounds - keyboard sweeps & atmospheric samples, all combining into a smooth trance feel. In ways this reminds me a lot of NEW ORDER's In A Lonely Place with deep sonorous bass & a haunting ambience. Temps Perdu, Düsseldorf Düsseldorf, Germany. The track Scalaphony by Temps Perdu was featured on last weeks radio programme A Duck in a Tree starting at minute 50:50. This is the 370th of a series of weekly radio programmes created by :zoviet france: First transmitted 10 August 2019 by , and . Temps Perdu - Degree Absolute. A track from the 1993 compilation The Passing Gods Play Loud - PL01 which originally featured on their 1992 album Athanor on the Discordia can buy Album Athanor 1992 - Temps Perdu. Listen online top songs Temps Perdu. Download the latest song of Athanor: Cum . Add album to Cart. Earth Story 2000. Temps Perdu - Pearse McGloughlin & Nocturnes. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Temps Perdu - Athanor AmbientAmbient. Release type: Album. Release source: CD. Year: 1992. Duration: 56:33. Size, Mb: . Bitrate: 320. Price for album: . Discount: 20

Dancing Lion
Put out on the DISCORDIA label, this is an intriguing blend of the ambient, the electronic & various elements of World Music. "Scalaphony" builds a tension scene on string chords, deep organ sounds & chimes, sounding a lot like a soundtrack to some chiller. "Missing Link" combines strange samples, low didgeridoo-like drones with atmospheric Ethnic-like drumming in an atmosphere akin to SPK's "Zamia Lehmanni" but lighter, more an ambient trance piece full of sounds to keep the mind interested. It builds to shining crescendos while voices whisper & speak over the top. "Cum Infamia" follows in a similar vein, nodding more towards MUSLIMGAUZE with a harder edge to the percussive sound. Over this is layered haunting flute, harmonic voice and clattering metal fragments. "Ayers" chugs along a similar path, with atmosphere orf ritual in a mystical East of the imagination. Distinctive & tuneful, with motifs which, yes, are similar to those used my MUSLIMGAUZE. "Abraxas" tends more towards a hybrid of Western electronic bass drum & Eastern haunting atmosphere with whispered French words, gong-like punctuation, shifting sitar-like sounds & strings, all combining into another soundtrack-like piece. "Stratophony" builds on a tense electric bass sequence, entwining it with strange, chilling wraiths of sound in a non-percussive atmospheric piece - a piece of EBM without the beat, a cold scene from a dark film. Taking this feeling into even darker areas, "Into The Wave" combines shifting keyboard sounds with sudden thumps of percussion & flat, clanking piano to create a non-beat piece of disquieting sound. "Aku Aku" is one of the most distinctive tracks on the album, combining bouncing boom bass with constant Ethnic rhythm, they lace shifting streamers of keyboards, haunting voices & a variety of other sounds into the trance dance beat. "Cristal" has a more electronic, sequential rhythm through which various Ethnic elements appear. It reminds me a lot of TANGERINE DREAM circa "White Eagle" with elements of, say, HUMAN LEAGUE's early works, NITZER EBB, and even DEPECHE MODE's more experimental sound. "Magisch" is another distinctive piece built on an ambient ground. A fast electronic drum pattern acts as their framework for a floating flute motif with keyboards and samples all arranged into a haunting little piece of dance music which might even qualify as mild Techno at a push. "Degree Absolute" builds up through strange sample configurations and loops, becoming a slow, haunting trance dance piece with brash punctuated motif - both mild & demanding - a sort of cross between JOHN CARPENTER & mild, slow EBM. "Gorgoneion" is another moody atmospheric piece, a drifting track which swirls around a deep bass drum double beat, and through which voices, like lost souls, combine with tinkling synth. "Fishing Circles" is again a sort of film theme with degrees of CARPENTER to it - it's main motif is a sort of Oriental temple bell sequence through which a dramatic tension, a hint at the vacuum of space, inserts itself while voices whisper in French. "Last" appropriately closes the album, again an atmospheric piece whose structure is built on a clicking drum pattern which builds up into a far more complex piece, around which rise & fall a variety of sounds - keyboard sweeps & atmospheric samples, all combining into a smooth trance feel. In ways this reminds me a lot of NEW ORDER's "In A Lonely Place" with deep sonorous bass & a haunting ambience.

Originally reviewed for Soft Watch.
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